Scenes from the mind of an artist (M Train)

Basit Öğe Kaydı
dc.authorid0000-0001-6124-0663
dc.contributor.authorÖzdem, Gökçeen_US
dc.date.accessioned2025-08-22T08:22:24Z
dc.date.available2025-08-22T08:22:24Z
dc.date.issued2023-11-12
dc.departmentIşık Üniversitesi, Lisansüstü Eğitim Enstitüsü, Sanat Bilimi Doktora Programıen_US
dc.departmentIşık University, School of Graduate Studies, PhD Program in Art Scienceen_US
dc.description.abstractPatti Smith's M Train resembles a mental train that stops at any station, at any time interval. With ambition and inspiration, Smith takes the reader on a journey between dreams and reality, past and present, books and country. Smith's whole life can be considered a work of art. She is an unconventional artist who reveals herself in her relation to space. In an intertwined experience of time and space, we find Smith reminiscing on life, loss, and pains of creation. Smith's analogy of a clock with no hands refers to a frozen time, a memory where the past and the present coexist. This memory also contains the ties that a person establishes with their physical environment. The subjectivity of experience creates differences in the perception of a space. But how is it possible to resist time in our age of speed? This is what Smith presents to her readers: an infinite present. Smith's memory resists its loss, just as architecture resists time. Architecture witnesses personal and social tragedies and freezes them in time. In this sense, architecture turns into a memory remnant, a trace, and survives by creating a bridge between the past, present, and even the future. Smith's experience of the past in the present also makes it possible to interpret the relationship between architecture and experiential time. In this context, architecture reveals memory space and becomes an important factor in the reproduction of memory. Moreover, it can help revive and maintain memory by constructing new forms of expression. In this regard, personal and social memory emerges as a subject that should be emphasized in architectural research.en_US
dc.description.versionPublisher's Versionen_US
dc.identifier.citationÖzdem, G. (2023). Scenes from the mind of an artist (M Train). Architecture in Contemporary Literature, 206-212.en_US
dc.identifier.endpage212
dc.identifier.isbn9789815165166
dc.identifier.isbn9789815165173
dc.identifier.scopus2-s2.0-85204279207
dc.identifier.scopusqualityN/A
dc.identifier.startpage206
dc.identifier.urihttps://hdl.handle.net/11729/6643
dc.indekslendigikaynakScopusen_US
dc.institutionauthorÖzdem, Gökçeen_US
dc.institutionauthorid0000-0001-6124-0663
dc.language.isoenen_US
dc.peerreviewedYesen_US
dc.publicationstatusPublisheden_US
dc.publisherBentham Science Publishersen_US
dc.relation.ispartofArchitecture in Contemporary Literatureen_US
dc.relation.publicationcategoryKitap Bölümü - Uluslararasıen_US
dc.rightsinfo:eu-repo/semantics/closedAccessen_US
dc.subjectColonial architectureen_US
dc.subjectCultureen_US
dc.subjectDark tourismen_US
dc.subjectEclecticismen_US
dc.subjectExperiential timeen_US
dc.subjectInteractionen_US
dc.subjectLiteratureen_US
dc.subjectNew objectivityen_US
dc.subjectPasten_US
dc.subjectPersonal and social memoryen_US
dc.subjectPresenten_US
dc.subjectPrison architectureen_US
dc.subjectRecall timeen_US
dc.subjectRemnants of memoryen_US
dc.subjectSpaces of memoryen_US
dc.subjectStream of consciousnessen_US
dc.titleScenes from the mind of an artist (M Train)en_US
dc.typeBook Chapteren_US
dspace.entity.typePublicationen_US

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